I am thankful to Eva Davidova for including my animation Séance for Dead Horse Bay in the program she curated, Light Year 92: If all bodies attract each other, how is it possible the Universe is expanding? The program screened on the Manhattan bridge December 1, 2022 projected from Dumbo as part of this monthly screening series produced by Leo Kuelbs in collaboration with NYC’s Department of Transportation. On the same day the screening was also projected outside in Berlin by Scope BLN gallery and in Toronto by The Drey gallery. Other artists in the show: Janet Biggs, Dakota Gearhart and Faith Holland. More here:https://www.leokuelbscollection.com/light-year-92
My video sculpture, Monuments Dissected, will be part of the InLight festival in Bryan Park Richmond, Virginia, November 18-19, 2022. InLight 2022, an outdoor, cinematic festival, was curated by Tiffany Barber and Wesley Taylor. My video sculpture, which features a powerful musical collage created by Grisha Coleman, is part of my larger installation Monuments Dissected: Engaging Public Art and Contested Spaces. Other artists in the show include: Dream Hampton, Zalika Azim, Stephanie Dinkins, Nathaniel Donnett, Gene Felice, Masa Lemu, and Luis Vasquez La Rouche. For more: https://www.1708inlight.org/artists
Very happy to be included in Albena Baeva’s wonderful Solidarity Machine exhibition at Projektraum Galerie M, Marzahn, Berlin between Sept 3 – Oct 29, 2022. Séance for Dead Horse Bay is the result of an unbridled mashup of impulses, affinities, and collaborations. First it is a tribute to the non-human ghosts living across New York City’s industrial waterways and specifically references the history of Brooklyn’s Dead Horse Bay. Through the 19th century and into the early 20th, the bay was a dumping ground for bodies from neighboring horse rendering plants that manufactured glue and fertilizer. Second the animation is a tribute to Muybridge’s Animal Locomotion studies from the 1880s and the development of cinema out of the love of horses, money, and the science of vision in relation to the American imaginary of limitless resources. Third it showers love on Shirley Clarke’s Bridges-Go-Round. Forth it is a product of Albena Baeva’s Solidarity Machine, an AI instruction device that builds on Fluxus scores that question received notions of belonging, order and hierarchy. Finally, Séance for Dead Horse Bay is a collaboration with composer Andrea Williams, whose score invites all the witches. Web: https://www.nki-berlin.de/
Excited to be working on a monuments project in Sofia all of July with Maria Vassileva and Structura Gallery for my CEC ArtsLink Arts Prospect Residency. Very honored to have been selected for this opportunity.
Thanks to Kat Griefen for inviting me to be a part of this tribute to the legendary and amazing Mary Beth Edelson; the tribute was hosted by the Brooklyn Rail online May 3, 2022. For my contribution I showed a short edit of a video interview that Kat and I did with Mary Beth in 2008.
Pandora’s Snatch is an augmented reality sculpture made for the #MakeUsVisible project for Women’s History Month in New York City as one of 31 virtual monuments of gender diverse figures juxtaposed against physical statues of men across the city. Pandora’s Snatch is meant to be opened by the Prometheus statue in Rockefeller center. Artist Meredith Drum recounts the myth that links the two artworks: “When Prometheus gave fire to men on earth, Zeus was pissed! In an act of vengeance, he created the first woman, and sent her with a jar full of trouble. But his misogyny backfired as Pandora-earth-goddess brought the cycles of life and death and the promise of a beginning wherever there is an end. Hats off to the great Mary Beth Edelson and Nancy Spero for inspiration.” Click this link with your phone and the AR Sculpture will load through Instagram: https://www.instagram.com/ar/701400011240271/
A still from my animation, Kingdom 4KR, included the exhibition
I am honored that curator Boris Kostadinov included one of my animations in his Between Beasts and Angels online exhibition, produced and hosted by Radiator Gallery, New York City, and Structura Gallery, Sofia, Bulgaria as part of the What Is Normal initiative. Other artists in the show include Eva Davidova, Jen Liu, Claudia Hart, Carla Gannis, Jennifer and Kevin McCoy, Jonas Lund, Dennis Rudolph, and Mark H Ramos. Web: https://www.whatisnormal2021.com/between-beasts-and-angels
I am grateful to Accola Griefen Gallery for including me in their summer 2021 online exhibition Mother Water which is dedicated to the forever-great Mary Beth Edelson (1933-2021). In addition to Edelson (and me), the show also includes terrific work by Sandra Ramos, Nancy Cohen, Alicia Smith, Andrea Chung, Merritt Johnson, Mikayla Patton, and Jane Swavely. My video – Water in the Desert 122F – is pictured in the virtual gallery below. Edelson’s Woman Rising / Sea is below that.
I’m excited that my project, Monument Public Address System, was part of the Teachable Moment exhibit, curated by Mike Calway-Fagen and presented by Stove Works in Chattanooga, TN, from Dec. 18, 2020 until March 27, 2021. There are some excellent people in the show with me including Alejandro Acierto and Rotem Tamir. Thank you Mike Calway-Fagen! https://www.stoveworks.org/teachable-moment
