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My Louisiana Re-storied cinematic installation was installed in a pop-up gallery in house 40 in the Al Fahidi Historic District (formerly called Bastakiya), a wind-tower district near the creek in Dubai. I really enjoyed seeing my piece in this setting. I had a lovely time in Dubai, both at ISEA events and simply wandering around this complex and surprising city.

Installation in Dubai as part of ISEA2014

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I am excited to travel to the UAE in late October to install a new version of my interactive doc Louisiana Re-storied in a gallery space in the old part of Dubai (Al Fahidi Historical District). The occasion is ISEA2014. I will also be giving an academic paper on November 5, part of the conference section of the symposium.

Participated in iLand Seminar this summer with Jennifer Monson

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Enjoyed attending an iLand Seminar this summer hosted by LMCC. I am a big fan of the founder of iLand, Jennifer Monson. I was thrilled to find this picture of me talking with her during the workshop outside in the East River Park near the East Broadway stop.

Presented at Bodies in Between Conference in Cluj, Romania May ’14

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I presented a paper at a conference at Babes-Bolyai University in Cluj, Romania in May. The conference was called Bodies in Between: Corporality and Visuality from Historical Avant-garde to Social Media. My paper addressed augmented reality projects that ground the participant in her body. Mitch came with me. We had a wonderful time and met many fantastic people. We definitely want to return to Romania.

Video: Blessed Buckets as part of Meat Cleavers and Screen Savers at Kunsthall Galapagos Dumbo Feb. 10, 2014

Video, recorded by Carlton Bright, of a night of performance by Group 6.0. My piece includes the superb Blessed Buckets performing My Buckets Got a Hole in It and God Bless the Child on violin and mandolin. My animation re Jordan Belfort accompanied them but is off to the side. Carlton collages it in at one point. Thanks Carlton. Thanks Buckets. Thanks Jody for inviting me to contribute.

AR as Critical Practice Article to be published in AR[t]

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My article, “Place-based, Somatic Augmented Reality as Critical Practice” will be published in the upcoming issue of AR[t] magazine, a publication run by researchers at the AR Lab (Royal Academy of Arts, The Hague), Delft University of Technology, and Leiden University. My article considers place-based work by Teri Rueb (a document of Rueb’s No Places With Names above) and by Manifest AR (particularly Border Memorial by John Craig Freeman and Mark Skwarek, also above). The article also seeks precedents for contemporary somatic AR in works by Jeffrey Shaw (Golden Calf, 1994) and Rebecca Allen (Coexistence, 2001). Another iteration of my research project was published as a short article in Media-N Journal, summer 2013.

PHATT-B @ Pratt – I’m hosting a panel discussion

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I will be hosting a panel discussion as part of Pratt Institute’s PHATT-B, a one-day festival of electronic art. My panel starts at 11:30am and is called: Augmented Reality as Critical Practice. My panelists are Teri Rueb, Sarah Drury, Mark Skwarek, and John Craig Freeman. I am excited. Should be a good day that also features some fantastic people including a keynote by Eva and Franco Mattes (a document of their work above). If interested, please visit the event webpage. Here is the description of my panel. As the capacity of handheld devices has increased, and new augmented reality software has made production more accessible, there has been a corresponding surge of AR projects produced by artists concerned with place and situation. In what ways can these projects refocus attention in virtual and actual public spaces, and provide platforms for expanded public discourse? How do these artists produce within the boundaries of mobile AR, navigating common limitations (small screens, jumpy GPS, device dependency narrowing audience), to create meaningful experiences? This panel starts with the premise that artist-produced AR has the potential to significantly alter our relationship to cultural, political and social phenomena and to other bodies—humans, animals, plants, built structures, landforms and visible and invisible machines. Four artists producing critical place-based AR—Teri Rueb, Sarah Drury, John Craig Freeman and Mark Skwarek—will discuss their concepts, processes and choices with the audience and moderator Meredith Drum.

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