Enjoyed attending an iLand Seminar this summer hosted by LMCC. I am a big fan of the founder of iLand, Jennifer Monson. I was thrilled to find this picture of me talking with her during the workshop outside in the East River Park near the East Broadway stop.
Includes a good shot of the piece. Thanks Coach.
Mitch and I are pleased to be a part of the summer residency at the Wassaic Project, June-July 2014. It is a beautiful place with great people. Very happy to be here.
I presented a paper at a conference at Babes-Bolyai University in Cluj, Romania in May. The conference was called Bodies in Between: Corporality and Visuality from Historical Avant-garde to Social Media. My paper addressed augmented reality projects that ground the participant in her body. Mitch came with me. We had a wonderful time and met many fantastic people. We definitely want to return to Romania.
Video, recorded by Carlton Bright, of a night of performance by Group 6.0. My piece includes the superb Blessed Buckets performing My Buckets Got a Hole in It and God Bless the Child on violin and mandolin. My animation re Jordan Belfort accompanied them but is off to the side. Carlton collages it in at one point. Thanks Carlton. Thanks Buckets. Thanks Jody for inviting me to contribute.
I will be hosting a panel discussion as part of Pratt Institute’s PHATT-B, a one-day festival of electronic art. My panel starts at 11:30am and is called: Augmented Reality as Critical Practice. My panelists are Teri Rueb, Sarah Drury, Mark Skwarek, and John Craig Freeman. I am excited. Should be a good day that also features some fantastic people including a keynote by Eva and Franco Mattes (a document of their work above). If interested, please visit the event webpage. Here is the description of my panel. As the capacity of handheld devices has increased, and new augmented reality software has made production more accessible, there has been a corresponding surge of AR projects produced by artists concerned with place and situation. In what ways can these projects refocus attention in virtual and actual public spaces, and provide platforms for expanded public discourse? How do these artists produce within the boundaries of mobile AR, navigating common limitations (small screens, jumpy GPS, device dependency narrowing audience), to create meaningful experiences? This panel starts with the premise that artist-produced AR has the potential to significantly alter our relationship to cultural, political and social phenomena and to other bodies—humans, animals, plants, built structures, landforms and visible and invisible machines. Four artists producing critical place-based AR—Teri Rueb, Sarah Drury, John Craig Freeman and Mark Skwarek—will discuss their concepts, processes and choices with the audience and moderator Meredith Drum.