Curatorial Project: Electric Breath at Emerge 2017

I am curating a screening of experimental videos and animations for the Emerge Festival 2017 at ASU Feb. 25 (with head-curator Dehlia Hannah). Electric Breath is a screening that traces Frankensteinian themes in recent experimental video and animation. From monstrous avatars struggling to thrive in, or escape from, virtual worlds to animal-headed humans narrating a drowned city, the screening presents a forecast by turns satirical, dreamy and dystopian. Artists include Katie Torn, Carla Gannis, Marina Zurkow, Eva Davidova, and Hilary Harp + Suzie Silver.

Phoenix Nasty Women Planned Parenthood Benefit

I co-organized the Phoenix Nasty Women exhibition and Planned Parenthood benefit Jan. 14, 20 + 21 with Colleen Donohoe, Patricia Sannit, Laura Dragon and Erika Hanson. We were one of over ~30 sister shows to the originating Nasty Women benefit at the Knockdown Center in NYC. Our PHX version raised over $19,300 for Planned Parenthood Arizona. In addition to the work on the walls (we received ~320 donated works from Arizona artists) we hosted a dance performance (1/20) by Nicole L. Olsen and DanceArtists and a Nasty Women reading (1/21) curated by Deborah Sussman. Here’s our website: phxnastywomen.wordpress.com
Here is an interview with me about the show on our local NPR station: kjzz.org/

The Chthulu and the Final Girl on view at Scottsdale Museum of Contemporary Art

Push Comes to Shove: Women and Power

My animation The Chthulu and the Final Girl is on view as part of Push Comes to Shove: Women and Power exhibition at Scottsdale Museum of Contemporary Art until Jan. 8, 2017. The show was curated by ASU Professor Muriel Magenta and SMOCA Director and Head Curator Sara Cochran.

My C-Print included in Wassaic Winter Benefit

This animation still from Kingdom 5KR, as a DiBond mounted C-print, was recently included in the Wassaic Project Winter Benefit raffle at the Invisible Dog, Brooklyn, NY (February 2016). Kingdom 5KR is the newest of my series of short animations using ready-made 3D objects – boats, cars, pills, booze, pretty people – as metonymies for leisure and privilege. Kingdom 5KR is a super yacht owned by Al-Waleed bin Talal, member of the Saudi Royal Family; the boat is named for his investment company The Kingdom Holding Company, his lucky number and the initials of his children. Waleed purchased the boat from Trump, who called it the Trump Princess. The yacht was originally built in 1980 for Saudi billionaire Adnan Khashoggi, and named for his daughter Nabilia. It was used in the 1983 Bond film Never Say Never Again and referred to as the Flying Saucer.

My Animation + Pyrite at Happenland, Radiator Gallery

Radiator Arts, Happenland

The wonderful Eva Davidova invited me to show my new animation as part of Happenland, a show she curated with Almudena Baeza Medina at Radiator Arts. They also included Pyrite, an AR app made by Mitch Miller and Phoenix Toews with my help back in 2011. Happenland opened on Oct. 30th and will run through Dec. 11, 2015. It is a wonderful show that includes lots of great artists including Cliff Evans and Marina Zurkow. We are going to do a talk at the gallery on Dec. 10th.

Co-hosting Gender Play Panel at Rutgers April 18

With Kat Griefen I am co-hosting a Plenary Session titled Gender Play at Rutgers University’s Extending Play Media Studies conference April 18. Our panelists are Myfanwy Ashmore, Heidi Boisvert and Gillian Smith. I like this mission of the conference: Play can be hard work and serious business. It’s time to push beyond the conceptualization of play as merely the pursuit of leisure and consider how the issues of power, affect, labor, identity, and privacy surround the idea and practice of play. The Rutgers Media Studies Conference: Extending Play aims to explore, understand, and facilitate discussion of play as a mediating practice and how play operates at the center of media.