My animation included in the Last Brucennial, March-April
My new short animation, Countach Belfort (2m), is included in the Last Brucennial (2014), 837 Washington Street. The piece is a sketch – my attempt to think through my distress about the ease with which white collar criminals, like Jordan Belfort, free themselves from sentencing and restitution. In the Brucennial, my animation hangs right below a work by Carla Gannis. Hi Carla.
Video: Blessed Buckets as part of Meat Cleavers and Screen Savers at Kunsthall Galapagos Dumbo Feb. 10, 2014
Video, recorded by Carlton Bright, of a night of performance by Group 6.0. My piece includes the superb Blessed Buckets performing My Buckets Got a Hole in It and God Bless the Child on violin and mandolin. My animation re Jordan Belfort accompanied them but is off to the side. Carlton collages it in at one point. Thanks Carlton. Thanks Buckets. Thanks Jody for inviting me to contribute.
Meat Cleavers and Screen Savers for the New Age
I am happy to report that I will be part of ‘Meat Cleavers and Screen Savers for the New Age’ – an evening of 6-minute performances by the 6.0 Group this Monday, February 3 at Kunsthalle Galapagos. My contribution will be a short animated riff on Jordan Belfort’s new stand-up routine. I will be accompanied by a musical performance by the Blessed Buckets. I am excited.
Meat Cleavers and Screen Savers for the New Age
Monday, February 3, 2014
Kunsthalle Galapagos
16 Main Street, Brooklyn, New York 11201
This Red Door Presents:
An evening of nine six-minute multi-media performances by the 6.0 Group members: Jody Wood, Karl Erickson, Jamie Diamond, Kimberly Ruth, Elisabeth Smolarz, Rachel Stevens, Tamar Ettun and Meredith Drum.
Participating artists met and fell in love during the LMCC Swing Space residency on Governors Island; the 6-minute classy yet windy boat trip to the island initiated the 6- minute structure for the performance.
Article about Terrestrial Transmissions show at U of Virginia.
Lydia Moyer wrote a smart article about the show she curated at the University of Virginia that included my short science fiction video, The Double. She says: Of particular interest to me was the theme of transmission—the attempts to communicate with some kind of other. Of course transmission is not an uncommon theme in video art, having roots in broadcast or signal transmissions. But these transmissions seemed different, more human–coming out of a deeply held desire to communicate with something outside the self, be it men or plants or the great unknown. Read here.